At 77, Georges Boivin “gives the dice a roll”. Georges just lost his wife, you see, the “centre of his universe”. But there is life after 70 and it must continue even after great loss. With his three friends, all older than he, he sets out on road trip from Québec to Vancouver, in search of a first love whom he hasn’t seen in 50 years. A play about love in all it’s various forms.
THE BALLAD OF GEORGES BOIVIN
By Martin Bellemare
Translated by Jack Paterson with Johanna Nutter
Directed by Jack Paterson*
Featuring Allan Morgan* as Georges
For more info: www.creatus.ca
“…explores with great insight thematic territory I’ve never seen covered before… an intimate — and rewarding — conversation about love.” – Colin Thomas, Colin Thomas on Theatre
“…insightful, thoughtful and mind-expanding… a beautiful play, filled with hope and longing and the realization that yes, there is life and love well into our golden years!” – EntertainmentVancouver.com
CREATIVE & PRODUCTION TEAM
Featuring Allan Morgan* | Director: Jack Paterson* | Stage Manager: Andy Sandberg | Associate Director: Hannah Siden | Set Designer: Glenn Macdonald | Sound Designer: Stephen Bulat | Video & Video Systems Design: Joel Grinke & Vanka Salim | Lighting Designer: John Webber | Assistant Lighting Designer: Chengyan Boon | Senior’s Access Consultant: Dr. Julia Henderson
* This is a Canadian Actors’ Equity Association production under the Festival Policy. rEvolver Festival is an approved festival under Canadian Actors’ Equity Association’s Festival Policy.
ABOUT THE CREATUS PROJECT
It is no secret that older artists might face age-related physical and cognitive changes. However, far greater impediments to their successful participation in the arts are the social stigmas of ageism and ableism. No matter what their age or their physical or mental abilities maybe, older artists can and must have their place in the arts respected and supported.
On this project, we explored forms and aesthetics specifically from tools to support Senior artists and in performance in festival touring. We asked “what new is created when
we make access integral to creation, design, rehearsal, and presentation processes?” And by doing so – draw attention to the needs of our ageing population in an intergenerational conversation and illuminate the experience of seniors’ day to day living.
BIOS
Performer: Allan Morgan
Allan (he, him) has been a professional actor for almost 40 years. He has performed in most theatres in Vancouver, as well as appearing in theatres in most major Canadian cities, he has crossed the country several times with different shows, and indeed internationally in San Francisco, London GB, Bergen Norway, and Wellington NZ. His work has garnered more than 8 nominations, and 5 awards for various roles. He has also written and performed two solo shows to enthusiastic crowds. He is a drama adjudicator, and currently an artist in residence here at 8th on 8. He initiated a writing group for queer elders in order to tell the stories of growing up in extreme homophobia called “Sing Me a Song No one Sang for You” as well as a writing group on hindsight. He’s an avid bike rider and loves photographing and sharing his love of flowers daily.
Playwright: Martin Bellemare
Martin Bellemare (il) is a Montreal playwright most noted for his plays Le chant de Georges Boivin, which won the Prix Gratien-Gélinas (2009), and Cœur minéral, which won the Governor General’s Award for French-language drama (2020). A graduate of the National Theatre School of Canada, his work has been produced in Quebec, France, Poland and Switzerland and translated into German, Italian and Lithuanian.
Talkback participant: Julia Henderson, PhD – Creative Accessibilities Facilitator
Julia Henderson (she/her) is an Assistant Professor in the Department of Occupational Science and Occupational Therapy at the University of British Columbia. She is a registered occupational therapist, holds a PhD in Theatre (UBC), and a Diploma in acting (Circle in the Square). Her research explores how theatre and performance practices contribute to cultural constructions of aging and old(er) age. Henderson’s research on dramaturgies of aging offers insights on how dramatic structure, design, staging, performance style, and marketing might influence understandings of age. Henderson’s writings on age and theatre are published in Theatre Research in Canada, The Journal of American Drama and Theatre, The Thornton Wilder Journal, Canadian Theatre Review, and Age, Culture, Humanities: An Interdisciplinary Journal. Julia is also Creative Accessibilities Facilitator with Western Gold Theatre. www.imaginationnetwork.org
This translation was commissioned by Western Gold Theatre (Vancouver) and developed by Bouche Theatre Collective (Vancouver) in association with British Equity (London UK) and Western Gold Theatre. The English Language Premiere was produced by Western Gold Theatre (PAL Vancouver Theatre, 2021) featuring Jay Brazeau and John Innes as Georges. We gratefully acknowledge the support of Canada Council for the Arts.
SPECIAL THANK YOU TO:
Western Gold Theatre, Presentation House Theatre, UpintheairTheatre, the rEvolver Festival and The Cultch teams, & Supertitles.gr
Venue
The Culture Lab
95 minutes
Local - Vancouver
- May 25 @ 3:30 pm Talkback
- May 26 @ 3:30 pm
Festival Venue
The Cultch, 1895 Venables Street, Vancouver, BC, Canada
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